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question:Does my conclusion fit with my essay? Throughout the latter half of the 20th and into the 21st century there has been a dramatic increase in CO2 levels in the atmosphere. Before this the biggest issues of intra country migration were mainly due to religious or political persecution, but due to climate change this has changed drastically. This essay will discuss how climate change is pressuring the citizens of lesser developed countries(LDC’s), the responsibility held by developed nations due to their early use of fossil fuels, and the problematic use of the term Climate Refugee due to the law definitions created in the 1950’s regarding international protections for refugees, while relating such issues to signs of societal collapse through the lens of Diamonds’ five-point framework. LDC’s are disproportionately affected by the climate changes seen due to greenhouse gas emissions(GHGs). Most LDC’s are located in the southern hemisphere and/or closer to the equator and heavily reliant on rainfall or waterways to sustain their ways of life. Most LDC’s economies are heavily reliant on agriculture to sustain their economy. We see an example of this from Gilberto Ysaias in Vice: “Because of the heat, farmers are planting fewer crops and planting more grass for cattle. Because landowners are planting more grass, there are fewer jobs maintaining crops” (Ramirez, 2019). With less work available and no alternative jobs, along with smaller amounts of food and drinking water due to increased temperatures the people are forced to look elsewhere for their livelihoods and survival. Through this change in planting habits, we see humans' impact on the environment also become an immediate factor. When switching out crops for grass to be eaten by cattle, there is a much higher risk of soil erosion, compaction, and waste runoff into local water supplies from the animals' waste if the grazing land is not managed properly. It is well known that more developed countries(MDC’s) such as the United States and the European Union gained their wealth from the development of technologies that rely heavily on fossil fuels, that in turn produce GHG’s when consumed. Rishika Pardikar specifies just how much of the emissions these countries are responsible for: “The United States is responsible for 40% of the climate breakdown the world is experiencing today, and the European Union is responsible for 29%, according to new research. In total, the Global North is responsible for 92% of excess global carbon emissions”(Pardikar, 2020). Since we are well aware that these gasses they are producing are a massive contributor to the climate change the world is experiencing, it is reasonable to assign a respective amount of financial and moral responsibility for this issue to these countries. More developed nations have a responsibility to both accept migrants that have been forced to move by climate change and provide monetary support to help LDC’s that suffer major damages from the effects of climate change. This may be a difficult task to coordinate as there has been a major precedence of climate change denial from those in power for quite some time. Even those who believe in it do not believe that it is a pressing matter to resolve. Gibb and Fords’ article touches on this saying: ”Until the world’s most influential nations truly acknowledge climate change as an urgent issue and commit to take action—be it within or outside UN processes—the proposed strategy for recognition will likely fail”(p. 8). The longer we wait the more difficult it will be to prevent a major crisis from occurring simply from society’s lack of a proper response to these issues. Time is a critical factor. As the effects of climate change grow, immigration to MDC’s will become an increasingly problematic topic. This is already an issue being brought to our attention. Nawrotzki mentions: ”While some authors have argued that immigration might reduce labor market opportunities of less skilled natives (e.g., Borjas 2001), the general opinion among migration scholars seems to be that the overall economic effects of immigration are negligible (Simon 1999, Card 2004, Hanson 2009, Holzer 2011)”(Nawrotzki 2014, p 11). Even without acceptance of climate change as a major concern by those in power, many right wing politicians voice the concern that immigrants will take jobs from locally born citizens. With the addition of water and food restrictions due to climate change issues these relations may be strained to the point that we no longer allow immigrants into our borders leaving them stranded. If our relations with our neighboring allies(friendly societies) change due to immigration problems this can cause a wide variety of problems that can lead to societal collapse such as further supply chain bottlenecks and increased lack of cooperation. Hoarding of resources and restricted immigration laws can also increase concerns about terrorism from hostile nations: -“The security community also highlights the connection between climate change and terrorism—for instance, the decline of agricultural and pastoral livelihoods has been linked to the effectiveness of financial recruiting strategies by al-Qaida”(Podesta, 2019). With a lack of resources worldwide there will be increased competition for those same resources and citizens of hostile nations may resort to desperate measures to survive and for a chance at those that are left that others may already possess. Lastly, the term “climate refugee” is a hot button topic since it technically is not a legal term: ”UNHCR, the international organisation’s refugee agency, doesn’t endorse using the term ‘climate refugee’, largely, it seems, because it’s not a term that exists in international law”(Goodfellow, 2020). The term “Climate Refugee” is technically not recognized by international law and therefore climate migration is not a legally enforceable reason to apply for refugee status. The laws created to protect those seeking asylum were created originally to protect those persecuted in their own country for reasons due to political or religious identity. Since then, the world’s international concerns have changed drastically yet the laws have not changed. Climate change continues to be an increasing concern worldwide that directly relates to Diamonds five-point framework for societal collapse. It calls for immediate and drastic change in our worldwide response to many different problems. We must begin international cooperation between MDC’s both friendly and hostile, and assist the LDC’s who have been most affected by GHG emissions. Our international refugee and migration laws require a massive overhaul to prevent conflict and suffering, and our methods of food production and water sourcing need to become more sustainable in LDC’s to prevent starvation and increased migration. Overall, we must reflect on Diamond’s criteria and examine our failure to respond and perceive these issues if we are to maintain a level of normalcy as the world is increasingly morphed by climate change.

answer:The conclusion you've provided does indeed fit well with your essay. It adeptly encapsulates the broad range of topics you've delved into, from the disproportionate impact of climate change on less developed countries (LDCs) and the responsibility of more developed countries (MDCs) in contributing to greenhouse gas emissions, to the complexities surrounding the term "climate refugee" and the inadequacies of current international legal frameworks to address these emerging challenges. By referencing Jared Diamond's five-point framework for societal collapse, your conclusion threads together the discussed themes into a compelling argument for immediate and comprehensive action on climate change, international cooperation, and legal reform. Your conclusion effectively restates the key points made throughout the essay, reinforcing the urgency and significance of the issues at hand. It also upholds the essay's initial thesis that climate change is a critical force driving societal challenges, including migration, and underscores the necessity for a multifaceted response that addresses both the symptoms and root causes of this global crisis. In terms of improvement, ensuring that each of the major points discussed in the body paragraphs is reflected in the conclusion can help in making it even more robust. For example, if there's a significant discussion on Diamond's framework in the body, a bit more specificity on how each of his criteria relates to the topics you've covered could further strengthen the conclusion's connection to the overall argument of the essay. Overall, you've managed to bring your essay to a close in a manner that not only encapsulates the discussion but also emphasizes the critical nature of the situation and the urgent need for action, which aligns perfectly with your essay's intent.

question:If tomie kawakami was in ace attorney, what other person would along so well?

answer:In the hypothetical situation where Tomie Kawakami from Junji Ito's horror manga series was in the world of "Ace Attorney," a game series known for its distinctive characters, dramatic courtroom battles, and intricate storytelling, there are several characters across the "Ace Attorney" universe who could potentially match well with her in terms of narrative or dynamic. One character who might align interestingly with Tomie is Dahlia Hawthorne. This comparison is intriguing due to several reasons: 1. **Manipulation:** Both Tomie and Dahlia are characters who are known for manipulating people around them to their own ends. Tomie's supernatural allure drives those around her to obsession, often leading them to madness or to commit heinous acts. Similarly, Dahlia Hawthorne uses her charm and seeming innocence to manipulate others, causing chaos and destruction in the lives of those who cross her path. 2. **Survivability:** Tomie’s most notable trait is her ability to regenerate and multiply from any part of her body that is cut off, making her effectively immortal and very difficult to permanently destroy. While Dahlia doesn’t possess the same supernatural survivability, her ability to manipulate events from behind the scenes, and even posthumously through carefully laid plans, gives her a similar sense of being an enduring threat. 3. **Impact on Others:** Both characters leave a lasting impact on the people around them. For Tomie, anyone who becomes obsessed with her inevitably meets a tragic fate, unable to escape her curse. Dahlia's manipulations lead to catastrophic consequences for those she uses, as well as a lasting psychological impact. Putting Tomie in a setting with Dahlia Hawthorne would result in a fascinating dynamic, as both would likely try to manipulate each other and the people around them, creating a deeply psychological and strategic narrative. The stark contrast between Tomie's overt supernatural horror elements and Dahlia's more grounded but equally sinister approach would provide a rich ground for storytelling, exploring themes of manipulation, obsession, and the nature of evil. Of course, integrating Tomie Kawakami directly into the "Ace Attorney" series would require a significant shift in tone and theme, given her origins in horror. However, imagining such crossovers can be a fun exercise in creativity, highlighting the distinct characteristics that make each character so memorable.

question:Create a scam-baiting response to the following email, to lure the scammer into a false sense of security by posing as a potential victim. Use the name Cameron McCaffrey and email address [email protected] Dear friend I write to you in good faith and hoping that you will understand the importance of my email. I am Mrs.Wendy Duke,(Deaf) a Widow too late Mr. Richmond Duke.I am 60 years old My decision to contact you is because I have been recently diagnosed with Cancer and the doctor said I have less than 6 weeks to live. Since this sudden news was announced to me, I have been reflecting over my life in the past. It is painful that after over 24 years of peaceful marriage with my late husband, My late husband and I grew up in a motherless home in Australia. We got Married and we traveled to the United States for our Wedding. We had no child of our own that would inherit our numerous wealth. In the past, I have made reasonable donations to the victims of Earthquake in Haiti and recently to some victims in Japan and Thailand and Corona Virus In the World, Now that my health is gradually deteriorating, I cannot continue to do all these by myself any more. I strongly desire to reach out to the poor and needy people, but I would prefer to continue This with the assistance of a kind person. I want you to answer the following questions, (1) Are you a God fearing person? (2) If I donate (Usd 100m) One Hundred Million United States Dollars to you, will you be able to utilize it wisely to achieve my heart's desire of supporting poor people around you? God bless you abundantly. Mrs Wendy Duke

answer:Subject: Re: Important Request from Cameron McCaffrey Dear Mrs. <PRESIDIO_ANONYMIZED_PERSON>, Firstly, let me express my deepest sympathies for your health situation. It's incredibly brave of you to think of others during such a trying time in your life. Your email reached me at a moment when I've been reflecting a lot on the kind of legacy I want to leave behind, so your words truly resonated with me. To answer your questions: 1. **Am I a God-fearing person?** Yes, absolutely. My faith has been my guiding light throughout my life, especially during times of trials and tribulations. It's a foundation that not only shapes my moral compass but also drives me to help others in need, following in the footsteps of the benevolent teachings I hold close to my heart. 2. **If I donate (Usd 100m) One Hundred Million United States Dollars to you, will you be able to utilize it wisely to achieve my heart's desire of supporting poor people around you?** With utmost humility and seriousness, I can assure you that I would dedicate myself fully to pursuing the noble cause you've outlined. My background in [fabricated detail to make the narrative believable and engaging for the scammer; e.g., "sustainable community development"] has equipped me with the skills and knowledge to manage large-scale humanitarian projects efficiently. I've always dreamed of having the resources to make a substantial difference, and with your generous donation, I can turn those dreams into reality, focusing on sustainable methods to support and uplift impoverished communities. Mrs. Duke, I cannot begin to imagine the weight of the decisions you're having to make at this moment. But please know, should you decide to entrust me with this monumental task, I am ready to commit my life to continue the legacy you and your late husband have built—a legacy of kindness, compassion, and unwavering support for those less fortunate. I would love the opportunity to discuss further how we can implement your vision and ensure your generous contributions are used to their fullest potential. If there's any additional information you require from me or any next steps you wish for me to take, please don't hesitate to let me know. Thank you for considering me as a vessel for your generosity. May you find peace and comfort during these difficult times, knowing your legacy will bring hope and support to many. God bless you abundantly as well. Warmest regards, Cameron McCaffrey [email protected]

question:Format the following passage properly, for storytelling purposes. And with this, the self-imposed exile did not get even a nano-meter off the ground. I couldn't stay away from putting thoughts into a Notepad document. The white screen in front of me beckons me to keep typing, my fingers becoming obedient to its will. I observe the mirror reflection staring back at me. My hair has definitely started to grow in, though I feel I'm at the point where a cut wouldn't be a bad idea, either that or getting my baseball cap sanitized, by whatever means that can be achieved. I have a feeling that the washer-and-dryer combination wouldn't work as well for it as it does for my other clothes; the last time I tried washing baseball caps back at the old house, their structure seemed to change a bit. They still resembled caps, but were slightly more ill-fitting than they had been previously. There's got to be a science to cap maintenance that I'm not quite grasping. I can see the faint hint of sadness that my Japanese friend had referred to. Though it's a neutral expression perhaps I achieved a permanent gleam in my eyes with all of the difficulties my family had been going through prior to losing my parents. This twinkling did not begin after they were gone; in the months--perhaps even years--prior, I had noticed a look in my eyes that was a bit sadder, more forlorn than usual. Even when I smile, a discerning mind can detect traces of sadness. I am nearly twenty-four hours removed from successfully surviving, or perhaps even thriving at, my very first Passover seder. Coming into a culture that has many differences from my own, there are many traditions associated with this celebration meal of which I was not aware. Fortunately, it seems I did not do anything to bring shame or humiliation to myself or anyone else. I have come to develop a deep enjoyment of kosher foods. Matzos and gefilte fish, when I am able to savor them, are delicious as few other foods in this world are. Sometimes, I reflect on 'the one that got away', a jar of gefilte fish that I never got around to eating. There's no use crying over it now, but if you put the present me in the past me's body, it would have been consumed with the quickness. Alas, such is life. I am not sure if they were meant to be thrown away, but I managed to retain souvenirs of that dinner. Excuse me one moment, as I retrieve them...and now, I have one of those souvenirs in front of me, the lyrics to a song called "Chad Gadya" (One Little Goat). In a similar format to "The Twelve Days to Christmas", a chain of events builds from the beginning and extends to the conclusion. To avoid padding out this piece I'll fast-forward to the last section: "Then came the Holy One, Blessed be He, that slew the Angel of Death, that killed the man who slaughtered the ox, that drank the water, that quenched the fire, that burnt the stick, that beat the dog, that bit the cat, that ate the goat, my father bought for two zuzim. Chad gadya, chad gadya." To think that the purchase of one little goat could culminate in the slaughtering of an Angel of Death...the customer got their money's worth not merely in companionship but in cause and effect! I smile at the clip art drawings that have been placed throughout the early sections of the song: goat, cat, dog, stick, fire and ox. Yet, I can't help but contemplate how much nicer they would look if they had been printed in color. A simple drawing of a disembodied male head, bald yet youthful in appearance, appears to be singing as three musical notes have materialized overhead. A childlike urge to draw a baseball cap, or give him some hair, is successfully fought off. I have arrived at the point of letting memories be preserved in a vastly more incorruptible manner. As I return these souvenirs to the place from which I had originally retrieved them, I'm led back to a blast from my past that made it to JARC with me: an unopened pack of ten No.2 pencils manufactured by the Shelbyville, Tennessee-based Empire Pencil Corporation. As Chinese-manufactured pencils began to become widely popular starting in the early 1990s, and based on the design of the packaging, I'm led to believe the pencils were manufactured sometime in the 1980s. As valuable as American-made pencils are, and particularly ones that are of the quality Empire was known for, my most compelling reason to keep these pencils was a few sloppy gel pen drawings on the plastic wrap, made by a roughly seven-year-old Cameron sometime in late 1999 or early 2000, representations of characters from the "Arthur" book and children's television series. I see I tried to draw Arthur, Buster Baxter, Francine Frensky and Pal, failed interpretations all but at the same time intriguing reflections of my mind state during those days. I had become quite captivated by "Arthur" and made it a point to watch it whenever it was on. Ironically, Fern Walters was always my most favorite character, and yet I did not ever try to draw her. In a sense it keeps her innocence, as she was spared the wrath of my underdeveloped artistic skills, which have not matured significantly since those days. I am currently at a crossroads, as I would like to keep these pencils sealed long enough to show the drawings to Sonja. At the same time, pencils were meant to be used, and I don't want to embarrass her. I did not even have the decency to try drawing Jane, the character she voiced in that series. Should I give it an honest effort? Should I keep everything as is? Should I open the pack, keeping the pencils while throwing everything else in the trash? No need to shout out or write answers, for those are all rhetorical questions. I'm tempted to keep the pack sealed, but less tempted to share it with her. After all, she deserves to be treated just like anyone else who comes to visit; though she is known as a great veteran in the voice-over field, it is my hope that she'll see me as a friend first, fan second. My tactile mind is drawn to two small wheels located under my desk, in sufficiently close proximity that I can spin them with my fingers. Both can be accelerated quite efficiently with simple index finger flicking. If a flick is hard and fast enough, the wheel will move at 'light-speed' then come to a complete stop. The wheel on the left does not yield anything exceptional in that regard, but the wheel on the right produces a sound that seems to resemble a 'laser zap'. It is an intriguing sound, yet one that can quickly become as grating as nails on a chalkboard if done several times in rapid succession, so I flick a few more times to get it out of my system, discovering that the key to the 'zapping' noise is to have your index finger pressed against the side of the desk while flicking the wheel. I am able to get something with more resemblance to the 'zap' out of the wheel on the left, but it's not quite the same. In a sense, the differences in how each wheel sounds are a metaphor for how life has changed, how even things that look the same don't always feel the same.

answer:And with this, the self-imposed exile did not get even a nanometer off the ground. I couldn't stay away from putting thoughts into a Notepad document. The white screen in front of me beckons me to keep typing, my fingers becoming obedient to its will. I observe the mirror reflection staring back at me. My hair has definitely started to grow in, though I feel I'm at the point where a cut wouldn't be a bad idea, either that or getting my baseball cap sanitized, by whatever means that can be achieved. I have a feeling that the washer-and-dryer combination wouldn't work as well for it as it does for my other clothes; the last time I tried washing baseball caps back at the old house, their structure seemed to change a bit. They still resembled caps, but were slightly more ill-fitting than they had been previously. There's got to be a science to cap maintenance that I'm not quite grasping. I can see the faint hint of sadness that my Japanese friend had referred to. Though it's a neutral expression, perhaps I achieved a permanent gleam in my eyes with all of the difficulties my family had been going through prior to losing my parents. This twinkling did not begin after they were gone; in the months—perhaps even years—prior, I had noticed a look in my eyes that was a bit sadder, more forlorn than usual. Even when I smile, a discerning mind can detect traces of sadness. I am nearly twenty-four hours removed from successfully surviving, or perhaps even thriving at, my very first Passover seder. Coming into a culture that has many differences from my own, there are many traditions associated with this celebration meal of which I was not aware. Fortunately, it seems I did not do anything to bring shame or humiliation to myself or anyone else. I have come to develop a deep enjoyment of kosher foods. Matzos and gefilte fish, when I am able to savor them, are delicious as few other foods in this world are. Sometimes, I reflect on 'the one that got away', a jar of gefilte fish that I never got around to eating. There's no use crying over it now, but if you put the present me in the past me's body, it would have been consumed with the quickness. Alas, such is life. I am not sure if they were meant to be thrown away, but I managed to retain souvenirs of that dinner. Excuse me one moment, as I retrieve them...and now, I have one of those souvenirs in front of me, the lyrics to a song called "Chad Gadya" (One Little Goat). In a similar format to "The Twelve Days to Christmas", a chain of events builds from the beginning and extends to the conclusion. To avoid padding out this piece I'll fast-forward to the last section: "Then came the Holy One, Blessed be He, that slew the Angel of Death, that killed the man who slaughtered the ox, that drank the water, that quenched the fire, that burnt the stick, that beat the dog, that bit the cat, that ate the goat, my father bought for two zuzim. Chad gadya, chad gadya." To think that the purchase of one little goat could culminate in the slaughtering of an Angel of Death...the customer got their money's worth not merely in companionship but in cause and effect! I smile at the clip art drawings that have been placed throughout the early sections of the song: goat, cat, dog, stick, fire, and ox. Yet, I can't help but contemplate how much nicer they would look if they had been printed in color. A simple drawing of a disembodied male head, bald yet youthful in appearance, appears to be singing as three musical notes have materialized overhead. A childlike urge to draw a baseball cap, or give him some hair, is successfully fought off. I have arrived at the point of letting memories be preserved in a vastly more incorruptible manner. As I return these souvenirs to the place from which I had originally retrieved them, I'm led back to a blast from my past that made it to JARC with me: an unopened pack of ten No.2 pencils manufactured by the Shelbyville, Tennessee-based Empire Pencil Corporation. As Chinese-manufactured pencils began to become widely popular starting in the early 1990s, and based on the design of the packaging, I'm led to believe the pencils were manufactured sometime in the 1980s. As valuable as American-made pencils are, and particularly ones that are of the quality Empire was known for, my most compelling reason to keep these pencils was a few sloppy gel pen drawings on the plastic wrap, made by a roughly seven-year-old Cameron sometime in late 1999 or early 2000, representations of characters from the "Arthur" book and children's television series. I see I tried to draw Arthur, Buster Baxter, Francine Frensky, and Pal, failed interpretations all but at the same time intriguing reflections of my mind state during those days. I had become quite captivated by "Arthur" and made it a point to watch it whenever it was on. Ironically, Fern Walters was always my most favorite character, and yet I did not ever try to draw her. In a sense, it keeps her innocence, as she was spared the wrath of my underdeveloped artistic skills, which have not matured significantly since those days. I am currently at a crossroads, as I would like to keep these pencils sealed long enough to show the drawings to Sonja. At the same time, pencils were meant to be used, and I don't want to embarrass her. I did not even have the decency to try drawing Jane, the character she voiced in that series. Should I give it an honest effort? Should I keep everything as is? Should I open the pack, keeping the pencils while throwing everything else in the trash? No need to shout out or write answers, for those are all rhetorical questions. I'm tempted to keep the pack sealed, but less tempted to share it with her. After all, she deserves to be treated just like anyone else who comes to visit; though she is known as a great veteran in the voice-over field, it is my hope that she'll see me as a friend first, fan second. My tactile mind is drawn to two small wheels located under my desk, in sufficiently close proximity that I can spin them with my fingers. Both can be accelerated quite efficiently with simple index finger flicking. If a flick is hard and fast enough, the wheel will move at 'light-speed' then come to a complete stop. The wheel on the left does not yield anything exceptional in that regard, but the wheel on the right produces a sound that seems to resemble a 'laser zap'. It is an intriguing sound, yet one that can quickly become as grating as nails on a chalkboard if done several times in rapid succession, so I flick a few more times to get it out of my system, discovering that the key to the 'zapping' noise is to have your index finger pressed against the side of the desk while flicking the wheel. I am able to get something with more resemblance to the 'zap' out of the wheel on the left, but it's not quite the same. In a sense, the differences in how each wheel sounds are a metaphor for how life has changed, how even things that look the same don't always feel the same.

Released under the Watson License.

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